Ian 'Mac' McLagan
In memory of my dear pal Mac:
Ian ‘Mac’ McLagan was a genuine, dyed-in-the-wool rock’n’roller. In fact, his smiling visage — he was, after all, a member of the Small Faces and the Faces — would serve as an ideal illustration in the proverbial Dictionary of What Is Truly Cool.
The man known to his many mates and even more fans and admirers as 'Mac' is the sort who shruged off such puffery. He carried on creating splendid and genuine rock’n’roll with his Bump Band as well as musically aid and abet a marquee line-up of truly blue ribbon talent that he toured and recorded with: The Rolling Stones, Bob Dylan, Bonnie Raitt, Bruce Springsteen, Taj Mahal, John Hiatt, David Lindley, Paul Westerberg, Billy Bragg and Patty Griffin, to name some but hardly all of the notables that McLagan had worked with over his four-plus decade career.
Austin, TX based “power soul” group The Reputations recently recorded at Ardent Studios, the monumental Memphis recording space that has housed the creation of classic albums from Isaac Hayes, R.E.M., The Raconteurs, Albert Collins, ZZ Top, Jimmie and Stevie Ray Vaughan, and Big Star among countless others. After becoming a fan of The Reputations most recent and first LP Begging for More, Jody Stephens, original drummer of Big Star and manager of Ardent Studios, produced their upcoming album, marking his first endeavor under the title of producer.
Of her first album Talkin' Fishbowl Blues, Amplifier says: "Not really a blues album, yet aptly tagged as "Black Americana", Manhattan-via-Austin super-side-woman Queen Esther melds roots, pop and R & B in a way Lucinda Williams, Melissa Etheridge and Sheryl Crow never could on their best days," while AllMusic says, "You’ll have to set your preconceptions aside for this one. Queen Esther is active in the theater and performance art worlds, sings the blues, sings jazz with the JC Hopkins Biggish Band, and now has offered up a great rock & roll album. Is there anything this woman can't do?" Produced by Queen Esther, The Other Side is her latest release – a sprawling sonic wonderland that walks with a soulful twang, full of feeling and longing and regret, while deeply abiding in the blues. Ultimately, this is an aural testimony to the music that raised Queen Esther and continues to inform her deeply held conviction that music shouldn’t be divisive.
The Mystery Achievement
The Mystery Achievement, is a 4-piece rock band based in Austin, Texas, founded by Sheridan Roalson (lead vocals, guitar) and Mallory Whitenton (lead vocals, bass). The band members also include Ram Zimmerman (drums) and Tommy Roalson (guitar), Sheridan’s son. Their new self-titled offering The Mystery Achievement is characterized by strong harmonies, pop hooks and music that is both edgy and accessible. They created something magical, influenced by all the music they collectively love: Rock n’ Roll to Pop Rock, to Traditional Country to Alternative/Indie, and everything in between.
Singer/Songwriter/Guitarist Karen Atkins has returned full force to her music career with a new album, In My Room, after 20 years of establishing herself as an expert in natural health and wellness. When her loyal following of 20,000+ fans, students and clients discovered that she had once been a touring musician, the demand for her music skyrocketed.
Producer and songwriter, Felix Bergman was born and raised in Oakland, CA and recently moved to Austin, TX to immerse himself in the wealth of the city’s diverse music styles and experimental elements that foster creativity. On his first night in Austin he caught a show at the Continental Club with Dale Watson & his Lonestars, learned the two-step, then caught an electronic post-rock show at the Mohawk. For Felix, these seemingly disparate styles of music share common traits of steady tempos, insistent up-beats, and rhythmic dialogue between instruments.
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Kent Scheffler, singer-songwriter and musician resides in New Braunfels, Texas. Kent was born in Houston, Texas, growing up “in the fifties era of big finned sedans, telephone party lines, black and white TV, the Cuban Missile Crisis, Beatlemania, Civil Rights legislation and the Vietnam War.”
David Halley arrives with a new album of poignant investigations into the human experience. The songwriting prowess that garnered him accolades from media critics and his musical peers has grown since his last album, 1994's Stray Dog Talk. Country, Folk and Rock coalesce as David captivates the heart, taking us into a foreign yet familiar place where a tangled mess of heartbreak meets beauty with his latest album A Month of Somedays.
Pip the Pansy
Pip the Pansy (formerly known as Wrenn) is the freshest new wellspring of color, fashion, and sound to come out of Athens, Georgia. Her song-craft has the polish and drama of a writer twenty years her senior and she's armed with a voice that can be sultry, lilting, playful, or bold. A visual arts graduate of Georgia University, her immaculate sense for aesthetic is apparent in everything she does; from her self-produced artwork and videos to the bubblegum-chic outfits she wears on stage. In the tradition of the Athens music scene, her music can be B-52 quirky, Beatle melodic, yet fresh to the ear. Her performances, nothing less than a star-burst on stage, have attracted a larger and larger following of "Fireflies" (her term of endearment for her devoted and loyal fans).
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"My earliest memories are of music," says Rick Eakens. "The first time I was exposed to rock 'n' roll as a kid, I was profoundly knocked out, and it's been the sound I've heard in my head ever since."
The veteran singer-guitarist-songwriter has led The Footnotes, on and off, for most of his life, crafting the sound in his head into rootsy, high-energy rock 'n' roll that embodies the unpretentious attitude, catchy songcraft and high-energy abandon of the vintage classics that originally inspired him to make music. The Footnotes' feisty, uplifting live gigs have won the Houston-based trio a longstanding status as an under-the-radar regional legend.
Currently living in Seattle, Washington, but originally from Florence, South Carolina, Tyler Edwards is a singer-songwriter who was strongly influenced by his southern upbringing. On his new LP A Few Good Hearts that influence shines through because according to him, "there will always be a southern accent in everything I do." Tyler's writing style is similar to an alchemist; instead of transforming metal into gold, he transforms sounds and words into songs. When he writes songs, he strives to create something that can live in both quiet and loud spaces, blending the line of folk, rock, and country. With lyrics as a focal point, the music moves in and around the words to paint a verbal and sonic imagery that tells a unique story about love, life, questions and observations. He has been influenced by artists and literary minds such as; Ryan Adams, Bruce Springsteen, Leonard Cohen, Tom Petty, Gregory Alan Isakov, Jackson Browne, The National, Rumi, and C.S. Lewis.
Frank C. Westcott, musically known as F.C. Westcott is a Colorado native, who describes his music as heartfelt Americana Country. He spends his time traveling between Colorado and Austin, TX. He is the youngest of four brothers and grew up in rural Western Colorado in the 70's and 80's. His early musical influences were drawn from the old time country and traditional music that his dad and aunts would play at family get-togethers, and also the 70's Rock records that his brothers would bring home and play through the family's wooden console stereo. He began playing guitar at the age of 15 following the death of his oldest brother Bill in 1984. His hunger to pursue a musical career was sparked by Steve Earle, Westcott says he "is who made me want to write songs...his album Guitar Town helped me find my calling as a songwriter."
Folk-soul singer/songwriter Sam Burchfield announces the release of his highly anticipated sophomore EP, Unarmored. The EP combines sounds of southern folk, soul, funk and old school R&B, brought to life by his talented band featuring Atlanta's own Terminus Horns.
Unarmored is a collaboration of various producers recorded in a myriad of studios including Domus Sound in Atlanta, Southern Ground Nashville and Ocean Way Nashville. Burchfield used a variety of studios in order to give each song a unique atmosphere.
As a child, Robin Wiley, a native Texan's precocious musical passion was fueled by Sunday afternoons tuning in to the songs Casey Kasem announced via her parent's antique stereo. Even before she was five years old she was phoning in her requests, ardently hoping to hear her favorites played on the show. Coming from a musical family background, Robin developed and honed her style on old country classics, gritty rock tunes, and new pop hits, cultivating a unique sound. You can feel it in the honesty of her voice and the clarity of her lyrics. Robin's spirit shines through in her latest EP, Texicali.
On Light Shines Through composer-drummer Don Harvey merges diverse musical styles resulting in stunning genre-defying new music. Stefano Intelisano, Ruthie Foster, Ephraim Owens, David Grissom, David Broza, Glenn Fukunaga and Kevin McKinney shine brightly on this swirling mix of rock, world, jazz, ambient, soul & classical elements.
Photo by T Dimenno
September 2013, five Austin bands and more than a thousand friends and fans gathered at the Moody Theatre, home of the Austin City Limits television series, to pay tribute to Brent Grulke, the creative director of South By Southwest, who unexpectedly passed away at the age of 52.
Closing out Grulkefest were The True Believers, the band that Grulke had mixed sound for in their earliest days in 1984. The band fittingly gave their old friend a powerful sendoff by delivering a scorching set of three-guitar firepower that left the audience screaming for more, and the band feeling like they had some unfinished business to tend to.
The first songs of Shoulders co-founders Michael Slattery and Todd Kassens were conceived over bottles of generic gin in run-down Los Angeles apartments and New York walk-ups, and were taped on a True Tone cassette recorder, with additional percussion provided by the irritated pounding on the floor above or the ceiling below, and with sound effects provided by the blowing horns and screeching brakes on the streets outside their open windows.
Friends of SIMS
Sims Ellison was an Austin musician who was highly regarded and beloved in his hometown. In 1995 he took his own life after an intense battle with severe depression arising from a series of personal disappointments and the dissolution of his band. The tragic suicide of Sims Ellison innervated the people of the city of Austin to band together in rousing support of its cherished musical community in the name of one of its own. A non-profit mental-health outreach and support program was formed in Sims’ honor and The SIMS Foundation was born. The foundation was named in Sims Ellison’s honor but it is also recognized locally as "Services Invested in Musician Support."